STOMACH FULL

STOMACH FULL

Like many artists, lockdown put a stop to Ray’s live performances. It became impossible to get into a physical space with collaborators. Whilst frustrating, it also gave them an opportunity to think outside the box, to redirect their practice away from the labour of live performance.

An opportunity to breathe, to dream. It was in this space, away from the noise of toxic productivity, that Stomach Full was born—an opportunity to experiment with the written form, to collaborate with brilliant artists and carve out space for collective joy.

This zine is designed to be savoured. Consume the pages whenever and wherever you like, taking your time with the artwork and indulging when the desire takes you.

Stomach Full was funded by Arts Council England. Commissioned by Marlborough Productions for New Queers on the Block, The Theatre In The Mill, Camden People’s Theatre and Quarterhouse. Supported by New Fragments bursary from Home Live Art.

Below are two sound works created to accompany the zine, designed to be experienced alongside the pages.

Curator and Writer: Rachael Young
Illustrator: Honey Williams
Interviewees: Anna Smith, Fly, Lucy McFadzean, Ruby Rare, Toni Lewis
Sound Design: Alicia Jane Turner, Naomi Jackson
Writers: Jamal Gerald, Josh Elliott, Mika Onyx Johnson, Myah Jeffers, Rajiv Bera

For the photographs included:

Photographer: Myah Jeffers

Image of: Rachael Young

Stylist: Mia Maxwell

Make up: Umber Ghauri

Captions by: Rachael Young

Concept and Curation: Rachael Young

Editor: Josh Elliott
Design: Catalina Velásquez Gonzalez
Producer: Ashleigh Bowmott, The Uncultured & Rachael Young
Artist Assistant: Alison Garner

Special thanks to: Laura Sweeney, Ri McDaid-Wren, Elli Hall, Princess Bestman, Mable Cable and all those who have supported the work.

Solo for Self  (intro): By AJ Turner

I discovered my queerness through solo sex, which has become the most significant sexual relationship I’ve ever developed. Building a sensual, intimate relationship with myself allowed me to explore my body as a queer body on my own terms, one that isn’t connected to heteronormative ideas of what sex should be. The freedom in solo sex, engaging with my mind to explore all of my desires and fantasies helped me realise that sex on my own is as important to my queerness as partnered sex. This solo piece for violin reflects the intimacy I have with my body onto the body of the violin, an instrument I feel closely connected to, that requires so many different kinds of delicate touch to play. It’s a love letter to myself and my joyful romance with my queer body.

 

Palm_Kissing_4:41 (intro): By  Naomi Jackson

“Hand-kissing has become rare and is mostly restricted to the conservative upper class or diplomats”, says Wikipedia. When googling ‘palm kissing’, you are taken to pages describing the kissing of the top of the hand as a sign of respect or submission.  

No mention of intimacy, no mention of affection. An act seemingly overlooked in the dominant heterosexual discourse. 

Moving from trepidation to exhilaration, this piece seeks to explore intimacy and queerness through an uncomfortable electronic soundscape of drone, swell, and vocal manipulation. With an uneasy, visceral beginning and a euphoric finish, we feel the fear of intimacy reconstruct itself into relief, satisfaction and wonderment. 

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